Medieval Crusading in the Literary Contexts of England: Teaching Romance and Chronicle
Identifieur interne : 000C63 ( Main/Exploration ); précédent : 000C62; suivant : 000C64Medieval Crusading in the Literary Contexts of England: Teaching Romance and Chronicle
Auteurs : Suzanne M. YeagerSource :
- Literature Compass [ 1741-4113 ] ; 2005-10.
English descriptors
- Entity :
- org : Consortium for Teaching of the Middle Ages, Cornell University, Department of English, Department of History, Hanna, University of Toronto.
- pers : A. Gransden, Andrew Galloway, Antonia Gransden, B. N. Sargent-Baur, C. M. Meale, C. Meale, Crusade, H. A. Shepherd, Heng, J. Fellows, J. Finlayson, John Mandeville, Jonathan Riley-Smith, King Arthur, King Horn, M. Hamel, M. Mills, Mary Hamel, Morte Arthure, N. McDonald, Nicola McDonald, Nicole Clifton, Norman French, Norman Housely, R. Wilcox, Romance Genre, Rosalind Field, S. C. Akbari, S. Crane, S. Delany, S. H. A. Shepherd, Students, Susan Crane, Suzanne Conklin, Van Court, W. R. J. Barron.
- place : Antioch, Chartres, France, Jerusalem, Lyon, Rome, Spain, Warwick.
- Teeft :
- Alliterative morte arthure, Artistic merit, Augustinian historian, Blackwell publishing, California press, Cambridge university press, Chaucer, Chaucer review, Class discussion, Columbia university press, Cornell university press, Course participant, Crusade, Crusade romance, Crusader ideology, Cultural fantasy, Depiction, Early fifteenth century, English medieval romance, Finlayson, First crusade, Generic, Generic category, Genre, Grete journee, Historia gestarum transmarinis partibus, Historia hierosolimitana, Historical event, Holy land, Insular romance, King horn, Langland study, Literary context, Literary genre, Literature compass, Manchester university press, Mcdonald, Medieval, Medieval audience, Medieval author, Medieval england, Medieval literature, Medieval period, Medieval romance, Melayne, Michigan press, Middle english literature, Middle english romance, Modern english translation, Other romance, Other scholar, Other text, Popular romance, Pulp fiction, Religious other, Romance, Romance genre, Siege, Suzanne conklin akbari, Third crusade, Undergraduate student.
Abstract
Past scholarship has proven the generic category of romance to be no simple classification scheme.1 For the past fifteen years, a subset called “crusade romance” has added much complexity to this discussion, if only for the texts’ epic scale, violence, vengeance, and cultural fantasies of the Other. Certainly, the creation of new generic subsets within romance represents an endless exercise whose current usefulness may have tapered; however, the applicability of the generic debate in the classroom retains its vitality simply because students often carry with them traditionally based preconceptions of romance. At the same time, more recent approaches to romance, such as those which reach across the disciplines, add new contexts to the discussion of romance. This article discusses a multi‐disciplinary approach to teaching the romance and chronicle texts of medieval crusading that were produced mainly in England during the twelfth through early fifteenth centuries. While the title of the course, “The Crusade Romances: The Project of Empire” invokes only one literary genre and discipline, the course brought a sampling of romance genres, crusade chronicles, crusading art, and medieval philosophy to bear on the production of the so‐called crusade romance.
Url:
DOI: 10.1111/j.1741-4113.2005.00191.x
Affiliations:
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Yeager</name><affiliation><wicri:noCountry code="no comma">Fordham University</wicri:noCountry></affiliation></author></analytic><monogr></monogr><series><title level="j" type="main">Literature Compass</title><title level="j" type="alt">LITERATURE COMPASS</title><idno type="ISSN">1741-4113</idno><idno type="eISSN">1741-4113</idno><imprint><biblScope unit="vol">2</biblScope><biblScope unit="issue">1</biblScope><biblScope unit="page" from="**">**</biblScope><biblScope unit="page" to="**">**</biblScope><biblScope unit="page-count">11</biblScope><publisher>Blackwell Publishing Ltd</publisher><pubPlace>Oxford, UK</pubPlace><date type="published" when="2005-10">2005-10</date></imprint><idno type="ISSN">1741-4113</idno></series></biblStruct></sourceDesc><seriesStmt><idno type="ISSN">1741-4113</idno></seriesStmt></fileDesc><profileDesc><textClass><keywords scheme="Entity" type="org" xml:lang="en"><term>Consortium for Teaching of the Middle Ages</term><term>Cornell University</term><term>Department of English</term><term>Department of History</term><term>Hanna</term><term>University of Toronto</term></keywords><keywords scheme="Entity" type="pers" xml:lang="en"><term>A. 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Barron</term></keywords><keywords scheme="Entity" type="place" xml:lang="en"><term>Antioch</term><term>Chartres</term><term>France</term><term>Jerusalem</term><term>Lyon</term><term>Rome</term><term>Spain</term><term>Warwick</term></keywords><keywords scheme="Teeft" xml:lang="en"><term>Alliterative morte arthure</term><term>Artistic merit</term><term>Augustinian historian</term><term>Blackwell publishing</term><term>California press</term><term>Cambridge university press</term><term>Chaucer</term><term>Chaucer review</term><term>Class discussion</term><term>Columbia university press</term><term>Cornell university press</term><term>Course participant</term><term>Crusade</term><term>Crusade romance</term><term>Crusader ideology</term><term>Cultural fantasy</term><term>Depiction</term><term>Early fifteenth century</term><term>English medieval romance</term><term>Finlayson</term><term>First crusade</term><term>Generic</term><term>Generic category</term><term>Genre</term><term>Grete journee</term><term>Historia gestarum transmarinis partibus</term><term>Historia hierosolimitana</term><term>Historical event</term><term>Holy land</term><term>Insular romance</term><term>King horn</term><term>Langland study</term><term>Literary context</term><term>Literary genre</term><term>Literature compass</term><term>Manchester university press</term><term>Mcdonald</term><term>Medieval</term><term>Medieval audience</term><term>Medieval author</term><term>Medieval england</term><term>Medieval literature</term><term>Medieval period</term><term>Medieval romance</term><term>Melayne</term><term>Michigan press</term><term>Middle english literature</term><term>Middle english romance</term><term>Modern english translation</term><term>Other romance</term><term>Other scholar</term><term>Other text</term><term>Popular romance</term><term>Pulp fiction</term><term>Religious other</term><term>Romance</term><term>Romance genre</term><term>Siege</term><term>Suzanne conklin akbari</term><term>Third crusade</term><term>Undergraduate student</term></keywords></textClass></profileDesc></teiHeader><front><div type="abstract" xml:lang="en">Past scholarship has proven the generic category of romance to be no simple classification scheme.1 For the past fifteen years, a subset called “crusade romance” has added much complexity to this discussion, if only for the texts’ epic scale, violence, vengeance, and cultural fantasies of the Other. Certainly, the creation of new generic subsets within romance represents an endless exercise whose current usefulness may have tapered; however, the applicability of the generic debate in the classroom retains its vitality simply because students often carry with them traditionally based preconceptions of romance. At the same time, more recent approaches to romance, such as those which reach across the disciplines, add new contexts to the discussion of romance. This article discusses a multi‐disciplinary approach to teaching the romance and chronicle texts of medieval crusading that were produced mainly in England during the twelfth through early fifteenth centuries. While the title of the course, “The Crusade Romances: The Project of Empire” invokes only one literary genre and discipline, the course brought a sampling of romance genres, crusade chronicles, crusading art, and medieval philosophy to bear on the production of the so‐called crusade romance.</div></front></TEI><affiliations><list></list><tree><noCountry><name sortKey="Yeager, Suzanne M" sort="Yeager, Suzanne M" uniqKey="Yeager S" first="Suzanne M." last="Yeager">Suzanne M. Yeager</name></noCountry></tree></affiliations></record>Pour manipuler ce document sous Unix (Dilib)
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